Nathaniel Rateliff has long been a master of musical duality. His work with Nathaniel Rateliff and the Night Sweats is characterized by raw, energetic rock and soul, while his solo endeavors often lean towards reflective singer-songwriter fare. With his latest album, South of Here, Rateliff expertly merges these two sides of his artistry, creating a cohesive and captivating sound.
The album’s opener, “David and Goliath,” sets the tone with a nod to Harry Nilsson’s classic “Gotta Get Up.” While the melody is familiar, Rateliff’s delivery is more forceful, showcasing the album’s balance of raw energy and introspective lyricism. This blend continues throughout the record, with tracks like “Heartless” and “Cars in the Desert” delivering driving anthems that explore themes of anxiety and world-weariness.
However, South of Here also delves into more subdued territory. “Center of Me” is a particularly poignant example, with Rateliff’s lyrics reflecting a personal introspection that feels akin to his solo work. The addition of the Night Sweats’ horn section adds a layer of emotional depth, creating a striking contrast between the contemplative lyrics and the lush arrangements.
The album concludes with “Time Makes Fools of Us All,” a reflective yet upbeat track inspired by bassist Joseph Pope III’s battle with cancer. The song’s Kings of Leon-esque arrangement and message of finding joy and meaning in life’s struggles provide a fitting end to South of Here.
Overall, the album is a testament to Rateliff’s ability to seamlessly merge his powerful rock persona with his contemplative solo side. South of Here is a heartfelt and exhilarating record that showcases the artist’s versatility and musical talent. – Jason Felton