Jake Xerxes Fussell approaches the role of preserving and reimagining traditional folk songs with a reverence that deepens with each release. For over a decade, he has honed his craft as a conduit for songs from the past, melding them with his own creative vision to create a rich tapestry of sound and story.
His latest album, When I’m Called, exemplifies his ability to breathe new life into a diverse range of tunes. From midcentury Appalachian and Scottish field recordings to quirky finds like a handwritten note and oddball 1980s art, Fussell’s interpretations are both respectful and innovative. His gentle vocals and acoustic guitar offer a comforting guide through these historical and personal landscapes.
The production, led by James Elkington, enhances Fussell’s vision with a palette of instruments including French horns, strings, pedal steel, organ, and synth. Notable contributions from Joan Shelley, Blake Mills, and Robin Holcomb add depth and texture to the album. Tracks like “Andy,” inspired by cowboy artist Maestro Gaxiola, and the title track, based on a whimsical note, stand out as bright and engaging highlights.
A significant portion of When I’m Called draws from the legacy of Fussell’s late mentor, folklorist Art Rosenblaum. Songs such as “Feeling Day,” “One Morning in May,” and “Going to Georgia” are infused with a timeless sense of chivalry and charm, spanning gestures of kindness to cautionary tales.
Overall, When I’m Called captures a sense of wonder and exploration. It poses questions about what lies ahead and where one is going, reflecting a journey both personal and historical. Fussell’s work remains a vibrant exploration of folk traditions, enriched by his ongoing quest for artistic and emotional discovery. – Jason Felton