Blitzen Trapper’s latest offering, “100’s of 1,000’s, Millions of Billions,” delves into esoteric themes inspired by singer-songwriter Eric Earley’s immersion in Buddhist texts and meditation. Reflecting on his early works from the ’90s and infused with the philosophical depth of Buddhist teachings, the album embarks on a musically ambitious journey. Opening with the dreamy “Ain’t Got Time to Fight,” the intricate melodies blend seamlessly with Earley’s introspective lyrics, reminiscent of Michael Stipe’s enigmatic style.
Throughout the album, glimpses of brilliance shine, such as in the charming “Planetarium” and the compelling “Long Game.” However, there are moments where the opacity of the lyrics veers towards being overly peculiar, as observed in tracks like “Hesher In The Rain” and “Bear’s Head/At The Cove,” resulting in an uneven listening experience. Earley’s exploration of Buddhism parallels the album’s evolution, akin to conversing with a friend absorbed in newfound discoveries, albeit occasionally longing for shared interests.
Returning after a four-year hiatus, Blitzen Trapper maintains their signature light-handed touch on melodies and arrangements while venturing into a relaxed, psych-leaning Americana realm. “100’s of 1,000’s, Millions of Billions” showcases their adeptness at infusing prog-like complexities without overwhelming simplicity. Their influences remain elusive, a testament to their mastery of crafting substantive songs that captivate listeners without necessitating categorization.
In essence, Blitzen Trapper’s latest effort is a testament to their evolving musicality, weaving intricate compositions with philosophical introspection. While occasionally veering towards opacity, the album resonates with a sense of exploration and growth, inviting listeners into a contemplative journey through the realms of esotericism and Americana. – Jason Felton