Will Oldham, better known as Bonnie “Prince” Billy, has long walked the line between country traditionalism and his own idiosyncratic, homespun songwriting. With The Purple Bird, he takes a deep dive into the heart of Nashville, surrounding himself with a crew of seasoned musicians and co-writers. Helmed by producer David Ferguson, the album merges Oldham’s distinctive, emotive songwriting with classic country arrangements, resulting in a record that feels both timeless and fresh. It’s a Bonnie “Prince” Billy album through and through, but one that leans unabashedly into its Nashville roots.
What sets The Purple Bird apart from previous Bonnie “Prince” Billy records is its spirit of collaboration. While Oldham has teamed up with artists in the past, this album sees him sharing songwriting duties more than ever. The presence of country legends like Tim O’Brien and John Anderson imbues the album with a rich authenticity, whether it’s the lilting harmonies of “The Water’s Fine” or the introspective duet “Downstream.” These moments of shared creativity add a new dimension to Oldham’s storytelling, reinforcing themes of connection, community, and the weight of history.
Even with its traditional country leanings, The Purple Bird never loses Oldham’s signature quirks. “Guns Are for Cowards” stands out with its playful instrumentation masking dark social commentary, while the aching “Sometimes It’s Hard to Breathe” finds him grappling with existential weariness against a backdrop of steel guitar. His voice, always an evocative instrument, is especially affecting on the gospel-tinged “Is My Living in Vain?” where he questions the meaning of his journey with a raw vulnerability that lingers long after the song ends.
Ferguson’s production gives the album a warm, lived-in feel, balancing honky-tonk revelry with stark balladry. The closing track, “Our Home,” co-written with O’Brien, ties everything together beautifully, offering a reassuring sense of belonging. In the end, The Purple Bird feels like both a homecoming and a new chapter for Bonnie “Prince” Billy—one where he fully embraces the traditions he’s long admired while leaving his own unmistakable imprint. – Jason Felton