Charlie Parr’s journey as a bluesman spanning two decades culminates in “Little Sun,” his second offering under the Smithsonian Folkways label, where the essence of his work, though slightly diluted, still pulses with passion. Produced by Tucker Martine in Portland, Oregon, the album’s eight tracks, while rooted in tradition, occasionally lack the personal and powerful touch evident in Parr’s previous works. The opener, “Portland Avenue,” reminiscent of The Band’s style, sets a tone familiar to fans, yet the imitation feels hollow, failing to fully capture Parr’s signature authenticity.
However, amidst these derivative tracks, gems like “Bear Head Lake” emerge, reminiscent of Parr’s scintillating performances on “Dog.” With mesmerizing guitar work and Zen-like storytelling, Parr transports listeners to a place of tranquil reflection. Similarly, “Pale Fire” captivates with its quiet beauty, showcasing Parr’s ability to find wonder in everyday moments and the natural world.
“Boombox” injects a burst of energy with its celebratory vibe, while “Stray” delves into poignant observations of the unseen and disadvantaged, echoing the depth of classic folk ballads. These tracks, alongside the more personal stylized content like “Stray,” highlight Parr’s mastery as a storyteller and musician, transcending imitation to deliver moments of genuine connection.
Recorded amidst a historic snowstorm in Portland, “Little Sun” boasts stellar production and musicianship, with contributions from acclaimed artists like Marisa Anderson. Parr’s distinctive charm permeates the album, evident not only in the music but also in the accompanying artwork, liner notes, and lyrics. As Parr continues to carve his place among American greats on the Smithsonian Folkways label, “Little Sun” stands as a testament to his enduring talent and craftsmanship. – Jason Felton