JJ Grey embodies a metamorphic force, a wild swamp entity traversing his native Florida, spreading muddy funk in every direction like a marauding bigfoot. Attempting to tether his untamed spirit is akin to wrestling alligators: futile. Instead, one must simply grip tight and ride along for the adventure.
Hailing from Jacksonville, Florida, Grey has brewed a potent concoction of funk, soul, rock, and blues since his inaugural album, “Blackwater,” in 2001. His alliance with Alligator Records for 2007’s “Country Ghetto” marked a departure for the blues-centric label, as evidenced by the title track’s fusion of Dr. John’s essence with rural vibes reminiscent of Hank Jr. Yet, Grey’s musical vision transcended boundaries, evident in tracks like “The Sweetest Thing” from 2010’s “Georgia Warhorse,” where Toots Hibbert’s reggae-infused blues met Grey’s distinct soulful voice.
His latest offering, “Olustee,” continues this eclectic journey, a mystical assortment of charms and potions for profound conjuring. “Sittin’ on Top of the World” evokes images of Jon Cleary and Delbert McClinton leading a band of soulful swamp dwellers in a Southern rock serenade. “On a Breeze” conjures Van Morrison orchestrating a soulful symphony, with Grey as the guiding soul.
In “Rooster,” Grey channels the wisdom of the chicken, infusing his human demeanor with a dash of poultry confidence. The title track narrates the frantic flight of Florida’s denizens from a raging wildfire, Grey’s harmonica warning echoing through the chaos, while his guitar relentlessly pursues.
As a staunch environmentalist, Grey sheds light on Florida’s wetlands’ plight, covering John Anderson’s “Seminole Wind,” where progress exacts a toll on the Everglades, eliciting the ghostly lament of Seminole leader Oceola.
Riding alongside Grey promises an unpredictable voyage, brimming with unexpected encounters and sonic landscapes. It’s a journey worth embarking on time and again. – Jason Felton