Khruangbin has taken a significant departure from their expansive sound on their latest album, A LA SALA. This more intimate and stripped-down project marks a return to the group’s roots, embracing a minimalist approach that contrasts sharply with their earlier, genre-spanning works.
Drawing from a collection of unreleased recordings and beat loops, A LA SALA reconnects with Khruangbin’s Houston origins, blending influences from ’70s psych rock and funk with global sounds from Thailand to Niger. The album showcases a deliberate reduction in production elements, allowing the band’s raw musicality to shine.
The standout feature of A LA SALA is its spacious, contemplative feel. Tracks like “Fifteen Fifty-Three” and “Hold Me Up (Thank You)” offer a late-night, introspective vibe, featuring Mark Speer’s reflective guitar work and a focus on instrumental exploration. The subtle vocal contributions enhance the album’s relaxed and immersive listening experience.
“Pon Pón” invites listeners into a sunlit tropical setting, while “Ada Jean” stands out with its moody bassline and evocative guitar riffs, creating a rich and immersive narrative. This track, with its noirish tone and dramatic ending, exemplifies the album’s ability to conjure vivid mental scenes through music.
A LA SALA reflects Khruangbin’s evolution into a more focused and introspective phase of their career. By emphasizing their core strengths and embracing a homey, less experimental sound, the trio provides a comforting musical refuge that highlights their growth while celebrating their origins. – Jason Felton