Vietnamese-Canadian frontwoman and singer/songwriter Nicolette Hoang, also known as Nicolette and the Nobodies, recently unveiled her debut album, “The Long Way.” Encountering a powerhouse vocalist is a rare delight in the world of music, akin to the youthful resonance of Connie Smith in the ’60s or the raw energy of early Neko Case in the ’90s. Prepare to be captivated by Nicolette Hoang as she exudes infectious charisma on this remarkable debut.
Hailing from Guelph, Ontario, Hoang’s vocals conjure images of a smoky honky-tonk nestled in the countryside, despite her background as the daughter of Vietnamese immigrants. Drawing inspiration from legends like Tammy Wynette, Hoang is backed by the talented ensemble, The Nobodies, who skillfully complement her with dynamic instrumentation. Guitarist Ian Bain’s versatile range, from earthy twangs to fiery rock riffs, is particularly noteworthy, while Aaron Goldstein on pedal steel and Thomas Hammerton on keys add layers of depth to the musical tapestry.
“The Long Way” unfolds timeless narratives of heartache and hedonism. In the spirited opener, “Better Days,” Hoang reflects on the passage of time, yearning for moments of redemption amidst the trials of adulthood. Tracks like “Rodeo” and “Don’t You Dare” blend heartbreak with defiance, driven by a punk-infused energy seldom seen in traditional country music.
Amidst the bravado, Hoang reveals vulnerability in tracks like “Show Up,” a poignant plea for emotional support, and the endearing duet “Losing More,” paying homage to classic ballads of yore.
While the album showcases Hoang’s versatility, some tracks, like the sprawling ballad “Ready or Not,” feel slightly disconnected from the album’s overall vibe. However, the title track, “The Long Way,” brings everything full circle with its toe-tapping nostalgia and uplifting gospel-inspired finale.
Nicolette Hoang emerges as a formidable talent, leaving a lasting impression with her debut. With such promise, one can only anticipate the musical journey she is set to embark on. – Jason Felton