After three decades, Old 97’s ventured into new territory with their 13th album, “American Primitive,” collaborating with producer Tucker Martine without any pre-production for the first time. This spontaneous approach led vocalist Rhett Miller, guitarist Ken Bethea, bassist Murry Hammond, and drummer Philip Peeples to immerse themselves in the present moment, resulting in a remarkable synergy between seasoned musicians and Miller’s lyrical prowess.
The outcome is both familiar and refreshing. Continuing their journey through alt-country, barroom rock, and power-pop, the band delivers concise compositions, each under three minutes, demonstrating their ability to captivate and engage. Yet, they also exhibit a mature restraint, understanding the significance of silence in music creation. What’s striking is their enduring vitality; after thirty years, they remain vibrant and inspired.
“American Primitive” acknowledges its diverse influences, crediting contributors while paying homage to literary figures like Mary Oliver, Simon Van Booy, and Stephen King, whose works shaped the album’s themes and lyrics. Known for their poignant verses and energetic riffs, Old 97’s seamlessly blend these elements throughout the record.
The album opens with the robust “Falling Down,” exuding a raw energy reminiscent of Dave Grohl’s style. Miller’s poignant lyrics encapsulate a profound perspective on life’s fleeting moments. “Where the Road Goes” stands out as a heartfelt plea for optimism, featuring Peter Buck’s melodic guitar work. “Chased the Setting Sun” promises to be a lively live performance, while “Honeypie” offers a lighter, rootsy vibe, providing a welcomed contrast to the album’s depth.
In “American Primitive,” Old 97’s prove they still have plenty to offer after three decades, combining rich storytelling with infectious melodies to create a compelling musical journey. – Jason Felton