Swamp Dogg’s Blackgrass: From West Virginia to 125th St. is a groundbreaking album that breathes new life into the country and bluegrass genres. This is not just another country-tinged Swamp Dogg project; it’s a bold foray into “blackgrass,” a unique blend of traditional bluegrass with his signature eccentricity. With the help of bluegrass titans like Noam Pikelny, Sierra Hull, and Jerry Douglas, along with country greats such as Chris Scruggs and Billy Contreras, the album delivers an authentic bluegrass experience infused with Swamp Dogg’s distinct style.
From the opening track “Mess Under That Dress,” it’s clear that Blackgrass is a genuine bluegrass album, not just a collection of acoustic renditions of Swamp Dogg’s usual fare. The album stays true to the bluegrass tradition with its use of classic instruments and arrangements, while Swamp Dogg’s unique personality shines through in the offbeat humor and surprising twists that characterize his music.
The album features standout moments that highlight Swamp Dogg’s ability to blend genres seamlessly. Tracks like “Gotta Have My Baby Back” and “Have A Good Time” offer a retro country jazz vibe reminiscent of Willie Nelson’s bluegrass projects, while “Count The Days,” with Jenny Lewis, showcases a blend of R&B and bluegrass elements, embodying the essence of “blackgrass.”
Swamp Dogg’s penchant for adding unconventional elements to his music remains intact. The album includes psychedelic touches and unexpected effects, such as the space-age lasers in “Your Best Friend” and quirky echoes in “Have a Good Time.” These features ensure that while Blackgrass is rooted in tradition, it also offers a fresh and dynamic listening experience.
The closing track, “Murder Ballad,” brings the album to a dark, reflective conclusion, encapsulating the emotional depth that Swamp Dogg brings to his music. Blackgrass stands out as a genuine and inventive entry into the bluegrass genre, proving that genre boundaries are fluid and that innovation can come from the most unexpected places. – Jason Felton