The Handsome Family’s “Hollow” album is a mesmerizing journey through the dark, enigmatic landscapes of Americana. Released in 1998, this record stands as a testament to the band’s ability to craft hauntingly beautiful narratives that resonate deeply with listeners. “Hollow” weaves tales of forgotten places, mysterious creatures, and the melancholy of existence, all set to the band’s signature blend of alt-country and gothic folk.
“Joseph,” the opening track, sets the tone with its haunting, atmospheric soundscapes and Rennie Sparks’ evocative storytelling. The eerie, delicate harmonies on “Two Black Shoes” create an intimate portrait of desolation and longing. “The King Of Everything” showcases Brett Sparks’ rich baritone, carrying the weight of a forlorn protagonist, while the instrumentation weaves a captivating tapestry of melancholy.
“Skunks,” with its witty, vivid lyrics, paints a picture of suburban mundanity, revealing the beauty that often goes unnoticed. “The Oldest Water” is a standout track, exploring themes of timelessness and impermanence, accompanied by a haunting melody that lingers long after the song ends. “Mothballs” delves into nostalgia and decay, its gentle acoustic arrangement providing a poignant backdrop to Rennie Sparks’ poignant imagery.
“Strawberry Moon” introduces a touch of optimism, with its dreamy, lullaby-like quality. The ethereal “Invisible Man” captivates with its spectral aura and evocative lyrics, weaving a tale of longing and invisibility. The album culminates with “Good Night,” a bittersweet lullaby that leaves a lingering sense of closure, like the end of a hauntingly beautiful dream.
“The Hollow” stands as a masterpiece within The Handsome Family’s discography. Its ability to conjure vivid, haunting landscapes and evoke powerful emotions is a testament to the band’s storytelling prowess. Each track is a finely crafted vignette, painting vivid pictures of forgotten places and enigmatic characters. This album is a must-listen for fans of dark, introspective folk music, and it remains a timeless gem in the annals of American alternative music. – Jason Felton